Visual perspective

The secret is to avoid eye contact

Marshall McLuhan (1964, age 52).  Isn’t it obvious?

“The name of a man is a numbing blow from which he never recovers.”

Me (August, 2010, age 58).  Really?

What did McLuhan mean by this?  Read Douglas Coupland’s recent biography of McLuhan and you will find this quotation separated from its context and put up as meaning that a man’s name has a subliminal effect.  If your last name is Rich, for example, people won’t think you’re poor.  A somewhat kooky idea that McLuhan adopted in his analysis of the difficulties of Richard Nixon. (See this blog – The Power of Names – in which I must admit I did not see this distinction as clearly as I do now.)

Take a look at what McLuhan is actually trying to say with this line in Understanding Media (p. 49).  He starts with the observation that “in a highly visual and highly literate culture” – read Canada, Britain or America – most people can’t quite catch the name of a person they’re being introduced to for the first time.  Why?  Because McLuhan says you’re so caught up in looking at the person that you don’t hear the name.  It’s as if the sound is blocked out or dimmed.  To get the name you then ask “How do you spell your name?”  (How much more visual can you get?)  This wouldn’t happen, he says, in a highly auditory ear culture.  In such a culture – to reach the quotation at last – “the sound of a man’s name … is a numbing blow from which he never recovers.”

If you lived in an ear culture rather than an eye culture, McLuhan says, you’d hear the name.  But we don’t do we?  Even today after half a century of television and now the internet we still seem to be a highly visual culture.  We still have trouble hearing names for the first time.  What do we do to help people hear names at large business meetings and social events?  We ask them to wear name tags. (How much more visual can you get?)

Cordially, Marshall and Me

Reading

Marshall McLuhan, Understanding Media, 1964, pp. 49.

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Michael Hinton Saturday, August 28th, 2010
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What would Marshall say? (continued)

Me (August, 2010, age 58). McLuhan in conversation (continued)

Yesterday we left Marshall in conversation with journalist Herb Caen at a topless restaurant in San Francisco in August 1965.  Readers will recall that McLuhan had called attention to the visual bias of Caen’s language.  Let’s take one more look – sorry, I apologize for my visual orientation – at that exchange.  Here, to refresh your memory is their conversation from yesterday:

[Caen]  Being President of the Leg Men of America, I never felt a primal urge to lunch among the topless ladies, but in such distinguished company who could resist?  ‘Strip steak sandwich,’ I said to waitress Marilyn, who was wearing blue sequin pasties and not much else.  As she walked away, I commented ‘A good-looking girl.

[McLuhan]  Interesting choice of words.  Good-LOOKING girl.  The remark of a man who is visually oriented, not tactually.  And I further noticed that you could not bring yourself to look at her breasts as she took your order.  You examined her only after she walked away – another example of the visual: the further she walked away, the more attractive she became.

Question:  What do you think Caen said next:

(a)    “If you say so Marshall.”

(b)   “Fascinating, I never noticed – look I’ve done it again – my visual orientation.”

(c)    “What?”

(d)   “Actually, I’m rather inhibited.”

Marshall McLuhan (August 1965, age 54)  The answer is …

Of course (d) – which, if memory serves me, I followed up with:

Another interesting word.  Inhibited is the opposite of exhibited, and what is exhibited causes you to be inhibited.

Cordially, Marshall and Me

Reading

Herb Caen, “Rainy Day Session,” San Francisco Chronicle, August 12, 1965, p. 25.

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Michael Hinton Saturday, August 21st, 2010
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What would Marshall say?

Me (August, 2010, age 58). McLuhan in conversation.

Forty-five years ago, in August 1965, McLuhan was in San Francisco to take part in the Marshall McLuhan Festival organized by the PR team of Howard Gossage and Gerald Feigen, who had organized the event to build McLuhan as a public figure.   One day they took McLuhan for lunch at a topless restaurant  along with journalists Tom Wolfe and Herb Caen.  In the article Caen wrote about the outing he reports this exchange between himself and McLuhan:

Being President of the Leg Men of America, I never felt a primal urge to lunch among the topless ladies, but in such distinguished company who could resist?  ‘Strip steak sandwich,’ I said to waitress Marilyn, who was wearing blue sequin pasties and not much else.  As she walked away, I commented ‘A good-looking girl.’

Question:  What do you think McLuhan said next?

(a)    “She certainly is.”

(b)   “I hear you Herb.”

(c)    “Excuse me, Marilyn, I’ll have the strip steak too.”

(d)   “Interesting choice of words.  Good-LOOKING girl.  The remark of a man who is visually oriented, not tactually.”

Marshall McLuhan (August 1965, age 54).  The answer is …

Of course (d) – I have little in the way of small talk.   And, if memory serves me, after I said that I said this:

And I further noticed that you could not bring yourself to look at her breasts as she took your order.  You examined her only after she walked away – another example of the visual: the further she walked away, the more attractive she became.

Cordially, Marshall and Me

Reading

Herb Caen, “Rainy Day Session,” San Francisco Chronicle, August 12, 1965, p. 25.

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Michael Hinton Friday, August 20th, 2010
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Memories.

Marshall McLuhan (June 16, 1975, age 63).  My first memory.

I am in Edmonton.  I can’t be much more than two years old.  I’m looking out the window of a street car and  I see horses on the river bank.  I remember thinking they look so small they could fit in my nursery.  Such is the magic of visual perspective.  To me the horses in the distance not only looked small, they were small.  I was a very perceptive lad.

Me (July, 2010, age 57).  Too good to be true?

Philip Marchand writes in his biography of McLuhan that “in view of McLuhan’s later obsession with visual perspective as an invention of the print era and his almost visceral rejection of that perspective – in later years, the painter Harley Parker recalls, McLuhan seemed actually to believe that ‘things became smaller as they receded into the distance’ – the memory is almost too pat.”

Who can say?  My first memory is from the time I was two or three.   I’m in a long hallway.  I look around and realize that I’m lost.  Given that this blog in a way is an exercise in both discovery and self-discovery, a way of finding my way home, intellectually, perhaps this first memory of mine is also “almost too pat.”

What is your first memory?  Does it reveal something significant about you?

Cordially, Marshall and Me

Reading for this post

Philip Marchand.  Marshall McLuhan:  The Medium and the Messenger, 1989 p. 8-9.

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Michael Hinton Wednesday, July 14th, 2010
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What you see on the phone.

Marshall McLuhan (1977, age 66).  Just something I’ve observed

Here’s something I’ve noticed for years.  Receptionists in the business world have all had the experience of finally meeting people in person they’ve only known by their discarnate voice over the telephone.  They tell me that they are surprised to discover that these people do not look the way they thought they would look.  For the most part, they cannot tell me why they are surprised, only that they are surprised.

Me (May 2010, age 57).   What does experience tell us?

This observation forms the basis for one of Marshall McLuhan’s “warm up” exercises to “sharpen your powers of observation,” which you can find in his book City as Classroom.

This is one of those observations that strikes me as true to experience, and at the same time peculiar and strangely unsettling to those who have experienced it.  The key questions about it I think are “Why?” and “So what?”  And whether it is an experience peculiar to the telephone.

Have you ever had such an experience?  Have you ever had a similar experience using the new social media?

Cordially, Marshall and Me

Reading for this post

Marshall McLuhan, Kathryn Hutchon, and Eric McLuhan, City as Classroom:  Understanding Language and Media,  1977,   pp. 7.

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Michael Hinton Wednesday, May 26th, 2010
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The rear view mirror.

Marshall McLuhan (October 6, 1965, age 54). Is this any way to live?

Unaware of the environment that surrounds them, people do not see the world for what it is.  Instead they insist on seeing it as it was.  The present which contains the future lies before them, but they do not see it.  Instead they see the past.  You might say this is like driving with your eyes firmly fixed on the rear view mirror.  Fortunately, I don’t drive.

Me (March 2010, age 57). Is there any other way?

If this is the human condition, what can we do about it? The possible courses of action would seem to be:  (1) Distrust your senses; (2) Hope there are no bends in the road; (3) Find ways to wake yourself up* and see the present; (4) Hope that McLuhan got this one wrong.

*The standard approaches are: read history, travel, and look for patterns

Cordially, Marshall and Me

Reading for this post

Letters of Marshall McLuhan, 1987, p. 325.

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Michael Hinton Thursday, March 25th, 2010
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Everything can be checked out

Marshall McLuhan (July 3, 1964, age 52).  My statements are not opinions.

People seem to believe that I make things up out of thin air.  It simply isn’t true.  Everything that I say can be checked out, and if it doesn’t check out – Ă  la Popper – it can be chucked out.  If I was simply expressing a personal opinion I wouldn’t bother to say it.

Me (February 2010, age 57).  Can we check this out?

Here is one of the statements of Marshall McLuhan: since the advent of TV Americans have become less visual.

(The visual he said perceive the world as “uniform, continuous, and connected”  – like a page of printed text.  To be visual is to view the world from a distance – to be uninvolved, objective, and rational.  To view the world less visually is to perceive it more acoustically – acoustic space is “fluctuating, discontinuous, and disconnected” – the world  viewed up close – intimately, emotionally and tactically.  The less visual are less objective, less rational.  They are involved.)

A case can certainly be made that this is true.  Compare “The Dick Cavett Show” to “Oprah”, the “The Twilight Zone” to “Numbers” or “Perry Mason” to “Boston Legal.”  America today has a more tactile less visual feel.  Granted, it’s not a scientific test, but in a rough and ready way it does provide support for Marshall McLuhan’s statement.

Are we all becoming more or less visual?  Is each generation less visual than its predecessor?  If so, what difference does it make?

Cordially, Marshall and Me

Reading for this post

Letters of Marshall McLuhan, 1987, p.304

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Michael Hinton Thursday, March 11th, 2010
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We are not visual creatures any more

Marshall McLuhan (May 1964, age 52). North Americans are biased.

It is odd that North Americans will accept no other way of perceiving the world apart from the visual.  The Brits have never gone this far, nor the French.  To North Americans there is only one way for rational people to understand the world:  in visual space.  Visual space is continuous, uniform, and connected.  That is the bias the North American brings to his understanding.  Here only seeing is believing.  There is no other way.

Me (February 2010, age 57).  Today feeling is believing.

If Marshall McLuhan was right about the power of new electric media North Americans – especially those who are the second, third and fourth generations of TV kids – are no longer visually biased.  The new bias is that of acoustic space, which is discontinuous, non-uniform, and disconnected.

Today seeing is no longer believing – feeling is believing.  The good life is tactile:  It’s “cool” “sweet” or “juicy.”

How many of the trends and assumptions of the world today fit with this new bias?  Shortening attention spans, illiteracy and innumeracy, the failing of teachers rather than students, relative truth, the importance placed on intuition and feelings, emotional intelligence, grade inflation, political correctness?

Cordially, Marshall and Me

Reading for this post

Letters of Marshall McLuhan, 1987, p.300

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Michael Hinton Wednesday, March 10th, 2010
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Marshall McLuhan’s sexual adventure

Marshall McLuhan (1965, age 54).  What this restaurant is exhibiting is inhibiting

We went to one of those new restaurants manned by topless waitresses, the Off Broadway in North Beach, here in San Francisco.  Ad men, Howard Gossage and Dr. Gerald Feigen, who are orchestrating the marketing of me, thought it would be a great experience.  It was an experience.  One of the party was a Mr. Herb Caen a columnist for the San Francisco Chronicle.  He ordered the strip steak sandwich and carefully kept his eyes averted from our waitress’s breasts while she was taking his order.  Claimed he was inhibited.  I told him inhibited is an interesting word it’s the opposite of exhibited, and what is exhibited causes you to be inhibited.

Michael Hinton (2009, age 57).  The extensions of woman is man

Marshall McLuhan was not inhibited by what was being exhibited by the topless waitresses at the Off Broadway restaurant when he went there in August 1965 with Tom Wolfe, Herb Caen, Howard Gossage, and Gerald Feigen.  He was it seems too busy observing to be inhibited. Two examples:

(1) During lunch a topless fashion show took place in which the announcer a fully dressed woman told the audience they were too quiet. They should be clapping more.  “Where,” she said, “was the applause?”  “Now ,” McLuhan said, “the word applause comes from the latin ‘applaudere,’ which means to explode.  In early times, audiences applauded to show their disfavour; they clapped their hands literally to explode the performer off the stage.  Hence you might say that, that the silence here is a form of approbation, at least in the classical sense.”

(2) McLuhan at one point looked around and said something like “the girls are wearing us.  They’re wearing our eyes.”

Who is wearing who?  How do you think McLuhan reported this excursion to his wife Corinne?  What were the ad men, whose mission it was to celebritize Marshall McLuhan, up to in taking McLuhan to this restaurant with two journalists in tow?

Cordially, Marshall and Me

Reading for this post

Tom Wolfe, The Pump House Gang. New York: Farrar, Straus & Giroux, 1968, pp 129-168.

Herb Caen, “Rainy Day Session.” San Francisco Chronicle, Thursday, August 12, 1965, p. 25.

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Michael Hinton Tuesday, November 10th, 2009
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The sartorial splendor of Marshall McLuhan

Marshall McLuhan (1965, age 53).  Tom Wolfe got it wrong

Corinne read a bit to me out of that article Tom Wolfe wrote about me for the Sunday Magazine section of the New York World Journal Tribune, What if He’s Right? He said I like to wear 89-cent, Pree-Tide clip-on ties, the kind you can get in drug stores.  Said something about the clip on mechanism being some sort of plastic cheater.   Corinne says we should send him one of my ties so he could see how they really work.  I told her we have better things to do than ship my ties, made to stay on by a comfortably fitting elastic band that goes around the neck, to the ever observant Mr. Wolfe for inspection.

Michael Hinton (2009, age 57).  Tom Wolfe got it more right than wrong

“Clothes may not make the man,” said Kingsley Amis in a book about the James Bond novels, “but they can tell you quite a lot about him.”  Whatever the clothes of James Bond tell you about the character of 007, the clothes of Marshall McLuhan, the extensions of his skin as he declared them to be, tell quite a lot about the character of high priest of pop cult, as Playboy was to call him.  So much so that Tom Wolfe obtains a complete character analysis out just one piece of McLuhan’s clothing, his tie.

The tie in question is the opening subject of Wolfe’s essay:  “The first thing I noticed about him was that he wore some kind of trick snap-on neck tie with hidden plastic cheaters on it. … I couldn’t keep my eyes off it.”  And the tie is a subject Wolfe returns to repeatedly in the essay.  While Wolfe did get – as Corinne pointed out – a key detail wrong, he was right, I think, about the importance of the tie for what it can tell us about McLuhan.  It is, however, a symbol that cuts at least two ways.  It is a fake tie.  And the first image that pops up about McLuhan is that he like his tie is an imposter, a dealer in fake learning.  The fake tie however has another message.  The tie declares McLuhan to be middle class with no pretensions to style.  Here is a way for a logical man in the tie-wearing 1950s and 1960s to bow to convention and obtain the virtues of comfort, low cost, and ease of wear.

Which is the real McLuhan?  Which one does Tom Wolfe believe is the real McLuhan?  What message(s) do the clothes you wear send?  What message(s) would you want them to send?

Cordially, Marshall and Me

Reading for this post

Tom Wolfe, The Pump House Gang. New York: Farrar, Straus & Giroux, 1968, pp 129-168.

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Michael Hinton Saturday, November 7th, 2009
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