A tribute to and a lament for Marshall McLuhan continues. If he had lived Marshall would have been 100 on July 21, 2011. Join me in the countdown to his centennial, and an exploration of more of his observations on the way media work in the electric age in which we live.
Creating
It took TV to really make the telephoneâs stimulus pay off.
Marshall McLuhan (1964, age 52). Of course âŚ
âIn the 1920s, the telephone spawned a good deal of dialogue humour that sold as gramophone records. But radio and the talking pictures were not kind to the monologue, even when it was made by W.C. Fields or Will Rogers. These hot media pushed aside the cooler forms that TV has now brought back to a larger scale. The new race of nightclub entertainers (Newhart, Nichols and May) have a curious early-telephone flavor that is very welcome, indeed.â
Me (November, 2010, age 58). Is this where the internet has taken us?
Now we have a brand new race of entertainers turning the book into dialogue. Very welcome, indeed.
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Cordially, Marshall and Me
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Reading
Marshall McLuhan, Understanding Media, 1964, p. 270.
Whatâs wrong with our schools?
Marshall McLuhan (1964, age 52). Of course âŚ
âIn education the conventional division of the curriculum into subjects is already as outdated as the medieval trivium and quadrivium after the Renaissance. Any subject taken in depth at once relates to other subjects.â
Me (November, 2010, age 58). No wonder kids drop out …
Nothing makes sense. Itâs too superficial. Math in math class. English in English class. Science in science class. We need to mix things up. And give it a purpose.
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 347.
Which came first the film or the book?
Marshall McLuhan (1964, age 52). The book of course
âEven the film industry regards all its greatest achievements as derived from novels.â
Me (November, 2010, age 58). Can you think of any film that inspired a great book?
McLuhan observes that the book and the film are closely related to one another. As evidence for this he points to great films being inspired by novels and the difficulty of imagining a film being based on a newspaper. Yet it is odd that the forces of inspiration seem to work in only one direction. It is easy to think of novels (and plays and even comic books and video games) that inspired great (ok may be not great, but not completely schlock) films, but hard to think of any film that inspired a great (or even reasonably good) book and none outside the realm of fantasy and science fiction. No disrespect to Alan Dean Foster, but heâs no Charlotte Bronte.
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 286.
Perspective is learned.
Me (November, 2010, age 58). But what does it teach?
Marshall McLuhan said that a perspective is a dangerous thing.  Dangerous to our understanding of the world because it closes off other possibilities. Here the artist David Hockney explores a different way of seeing:
Marshall McLuhan (1964, age 52). Print taught us perspective
âThe old belief that everybody really saw in perspective, but only that Renaissance painters had learned how to paint it, is erroneous.â
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 288.
Seeing our present as future.
Me (October, 2010, age 58). Another one for McLuhan.
The critics of Marshall McLuhan said he was a charlatan speaking gibberish. Yet here he is in 1964, sounding remarkably sane to modern ears, predicting a now ubiquitous small, hand-held electronic device – cell phone, blackberry, i-phone – on which you can play a movie. Granted he doesnât see it as digital but 20/20 future sight is asking a lot. Lesson – if youâre going to predict the future be ready for criticism if you get it right.
Marshall McLuhan (1964, age 52). Clearly …
âAt the present time, film is still in its manuscript phase, as it were; shortly it will, under TV pressure, go into its portable, accessible, printed-book phase. Soon everyone will be able to have a small, inexpensive film projector that plays an 8-mm sound cartridge as if on a TV screen. This development is part of our present technological implosion.â
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, pp. 291-292.
The power of film.
Marshall McLuhan (1964, age 52). You go where it goes.
âIt was Renee Clair who pointed out that if two or three people were together on a stage, the dramatist must ceaselessly motivate or explain their being there at all. But the film audience, like the book reader, accepts mere sequence as rational. Whatever the camera turns to, the audience accepts. We are transported to another world.â
Me (October, 2010, age 58). Which is hard to believe.
But for all that may in fact be true. Stranger things can happen:
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 286.
Marriage: Youâve got to work at it
Me (September, 2010, age 58). And now for something completely different.
Marriage is a subject people donât typically turn to Marshall McLuhan for insight or advice. But when you think about it, itâs not a bad idea. After all, he was married for 41 years. He and his wife Corinne had six children. By all accounts their marriage was a success.
For those of you looking for Mr. or Mrs. Right, hereâs what Marshall had to say about the secret to a great marriage, when he was interviewed by Jane Howard for a close up article she wrote about him in Life Magazine in February 1965. (By the way I found my Mrs. Right in 1976.)
Marshall McLuhan (February 25, 1965, age 54). Donât play the match game.
âCorinne, what did I say to that journalist, Jane Howard, about marriage? Was I for it or against it?â
âDonât be silly Marshall, of course you were for it. Hereâs exactly what you said. Itâs right here in this weekâs issue of Life.â
Like any other relationship marriage must be remade by the contracting parties every day. Itâs a terrible illusion in peopleâs lives that if they donât match each other exactly, they ought to drop everything and split up. They donât consider the possibility of making as an alternative to matching. Any relationship can be a depth relationship, if you try and make it so. People used to say, âWell Iâm married, thatâs that, put up or shut upâ â which I happen to think is a very good idea. But now they get divorced â they drop out of marriage for the same reason they drop out of school, because theyâre looking for a depth relationship, a profound role.
âNot bad eh?â
âNot bad at all, Marshall, not bad at all.â
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Cordially, Marshall and Me
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Reading
Jane Howard, âOracle of the Electric Age,â Life Magazine, 25 February 1965, p. 99.
More suggestions for new Chapters for Understanding Media
Marshall McLuhan (August 2010, age 99). Is this funny?
Joke titles for new chapters for Understanding Media? Swift said, âsatire is a glass in which we see every countenance but our own.â But really I fail to see the humor in this exercise.
Me (September, 2010, age 58)Â You tell me.
Here are some more tongue-in-cheek suggestions (See The Understanding Media Pun Contest) for new chapter topics and titles for Understanding Media:
Automatic Pencil: Getting the Lead Out
Pit Bull: Manâs Best Fiend
Microscope: Little Wonder
Smoke Signals: The Message is Blowing in the Wind
Quack-Quack: Fowl Language
Boring Conversation: Medium Tedium
Capital Punishment: A Live Issue?
Swedish Massage: The Masseuse is the Massage
Push-Up Bra: The Cleavage is the Message
Gypsy Fortune Teller:Â The Medium is the Message
George Hamilton:Â Narcissus as Narcosis
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, pp. xi – xiii.
