A tribute to and a lament for Marshall McLuhan continues. If he had lived Marshall would have been 100 on July 21, 2011. Join me in the countdown to his centennial, and an exploration of more of his observations on the way media work in the electric age in which we live.
Conversation
Success.
Marshall McLuhan (December 3, 1952, age 41). Secrecy?   Â
â[Wyndham] Lewis used to say to me: âThe secret of success is secrecy.â I used to think that very funny.â
Me (May, 2011, age 58). In other words âŚÂ
Sometimes itâs a good idea to keep your mouth shut:
Cordially, Marshall and Me
Reading:Â
Marshall McLuhan, Letters of Marshall McLuhan, 1987, p. 233.
Why read McLuhan?
Marshall McLuhan (January 4, 1964, age 52). The McLuhans at the breakfast table.
âMarshall, listen to what Tom Easterbrook has to say about you in the Weekend Magazine.â
âAnd what is that?â
âHe,â thatâs you, âchurns up the atmosphere. I think heâs aware of doing it, but he does it for shock effect. He goes at his adversaries until they become numb. But he has zest â heâs full of fun. He conveys a marvelous feeling of being alive.â
âWhat do you think?â
“Dear old Tom.â
Me (May, 2011, age 58). Being alive.
Tom Easterbrook was McLuhanâs oldest friend and a colleague at the University of Toronto. As Easterbrook suggests for McLuhan the important thing was to shock people into thinking. If you worry too much about whether McLuhan is right or wrong you will get very little out of reading him. Slow down and enjoy the rush of life.
Cordially, Marshall and Me
Reading:
Marshall McLuhan, Letters of Marshall McLuhan, 1987, p. 177.
Business talks!
Marshall McLuhan (1969, age 58). Talking is a labour-saving technology!
âThe executive who has many decisions to make must resort to the speedy oral conference with specially briefed experts. The sheer quantity of information entering into such frequent decisions could not possibly be presented in linear, written form.â
Me (April, 2011, age 58). Hence, the popularity of the single page report!
The purpose of the single page is not to record everything that needs to be said. It is to remind the reader of everything that needs to be said later and in greater detail. And as this clip suggests not all that is said needs to be recorded.
Cordially, Marshall and Me
Reading:
Marshall McLuhan, Counterblast, 1969, p. 72.
How do you sling your slang?
Marshall McLuhan (November 2010, age 99). Down memory lane with Marshall and Corinne âŚ
âCorinne do you remember this? âSlang offers an immediate index to changing perception.ââ
âIt certainly sounds like you, Marshall.â
âOf course it sounds like me, I said it. And you typed it up and thatâs how it got into Understanding Media. â
âDid I?â
âOf course you did, behind every great man in the university is the sound of his wifeâs typing. The fascinating thing is that slang continues to be an immediate index to changing perception.â
Just listen to the internet kids talking. Hereâs a typical snippet:
- Heâs really, really, mad.
- Iâm like, âHey, why are you like that?â
- And heâs like, âwhatever.ââ
âWhat are they saying, Marshall?â
âHard to say, there is an unmistakable 80s patina to it, but that doesnât matter, focus on the medium, the words. Thatâs the real message.  No one says saying or said anymore. The verb to say is gone, replaced by like. Conversation is getting cooler and cooler. More and more involved and involving. The internet has taken on the job TV was doing to us in the 60s and stepped it up several notches. Visual man is waving good bye to his progeny.â
Me (November, 2010, age 58). Hereâs some more talk to think about:
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. vi.
TV isnât good company.
Me (November, 2010, age 58). The observant Marshall McLuhan.
McLuhan loved observing a medium in action. You squint. You turn your head. And suddenly you see it. A break-through. Here he is on the way TV works. (You may not agree with him. Especially those of you who when traveling on business turn in the early morning to The Today Show for companionship. And yet there is something to McLuhanâs idea – as there is with most of his ideas – that is worth thinking about.)
Marshall McLuhan (1964, age 52). Of course âŚ
âIt is not pleasant to turn on TV just for oneself in a hotel room, or even at home. The TV mosaic image demands social completion and dialogue.â
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Cordially, Marshall and Me
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Reading
Marshall McLuhan, Understanding Media, 1964, p. 292.
And this.
John and Yoko and Marshall McLuhanâs theory of dinosaurs
Me (September, 2010, age 58). Perhaps the most insane of McLuhanâs ideas
In 1969 on the last Saturday before Christmas CBS television arranged for Marshall McLuhan to interview John Lennon and Yoko Ono about their âWar is Overâ campaign and anything else McLuhan thought they should talk about. Their wide-ranging discussion took place at Marshallâs office in the Coach House at the University of Toronto and lasted about an hour. Among other things, they talked about the importance of Elvis in Johnâs career, Yokoâs contribution to their creative partnership, the cultural differences between Britain and America, and, of course, McLuhanâs explanation for the extinction of the dinosaurs. I donât know what John and Yoko thought of McLuhanâs ideas about the dinosaurs, but it must have crossed their minds that this was one seriously crazy dude. And if so it would be difficult to say they were wrong.
Marshall McLuhan (19 December 1969, age 58). Itâs the frustration!
âFrustration creates bigness. Frustration releases adrenaline in the system. Adrenaline creates much bigger muscles and bigger arms and legs ⌠. This is why dinosaurs ended in sudden death, because as the environment became more and more hostile, more and more adrenaline was released into their bodies and they got bigger and bigger and then they collapsed.â
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Cordially, Marshall and Me
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Read a ‘transcript’ of the interview between John Lennon and Marshall McLuhan
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What the ads learned from the movies.
Marshall McLuhan (1964, age 52). Of course, itâs obvious âŚ
âWhen the movies came, the entire pattern of American life went on the screen as a nonstop ad. Whatever any actor or actress wore or used or ate was such an ad as had never been dreamed of. ⌠The result was that all ads in magazines and the press had to look like scenes from a movie. They still do. But the focus has had to become softer since TV.â
Me (October, 2010, age 58). Yes or no?
Today the focus has softened so much that the ad has been re-woven into the movie. Itâs called âproduct placement.â Instead of Clark Gable taking off his shirt to reveal an undershirt and everyone runs out to buy one, and the movie makers are surprised, Brad Pitt opens the fridge and guess whatâs sitting there â a coke. And what do you order later on at the refreshment stand because youâre feeling thirsty? A coke.
And nobodyâs surprised, least of all the movie makers who charged Coca Cola a sizable fee for cokeâs appearance in the scene. Despite its historical roots in the movies not everyone is a fan of product placement. The director John Lynch for example:
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Cordially, Marshall and Me
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Reading
Marshall McLuhan, Understanding Media, 1964, p. 231.



