A tribute to and a lament for Marshall McLuhan continues. If he had lived Marshall would have been 100 on July 21, 2011. Join me in the countdown to his centennial, and an exploration of more of his observations on the way media work in the electric age in which we live.
Books
What has TV done?
Marshall McLuhan (1969, age 58). To give but one example
âNobody seems to know much about why the paper-back book flopped in the 30âs and succeeded in the 50âs. But it is a fact which probably has some relation to TV …â
Me (April, 2011, age 58). What else?
TV he suggests in one shotgun blast of speculation in Counterblast may also explain âthe unexplained popularity of highbrow paperbacks,â the strange ability of âthe young [to] ⌠respond untaught to rock-andâroll,â the new importance of âthe quick briefing by experts [in business] or the making of deals at lunch,â as well as the rise of âthe roundtable, the frequent conferences and group brainstorming.â To McLuhan, it would seem, anything new in the late 50s and early 60s was probably the result of TV. His critics threw their hands up in dismay. His fans rifled through Understanding Media for explanations. And McLuhan? What did he do? He went on to dream up more things TV could be doing without our knowing and left the explanations to others.
Cordially, Marshall and Me
Reading:
Marshall McLuhan, Counterblast, 1969, p. 98-99.
Mea Culpa!
Me (February, 2011, age 58). How could I have got it so wrong!
Last year, I posted a blog in which I imagined Marshallâs pleasure at the prospect of the word âMcLuhanismâ appearing in the Oxford dictionary. However, apparently, I underestimated the later McLuhanâs paranoid tendencies. According to the journalist Barbara Rowes who wrote a profile on McLuhan for People Magazine in 1976, which I have only recently run across, far from being pleased âMcLuhan considered the prospect sourly.â
Marshall McLuhan (September 20, 1976, age 65). My exact words, if I remember correctly were âŚ
âI can just imagine what that word is going to mean.â
Cordially, Marshall and Me
P.S. The Shorter Oxford English Dictionary defines âMcLuhanismâ as âThe social ideas of the Canadian writer H. Marshall McLuhan (1911-80), such as that the effect of the introduction of the mass media is to deaden the critical faculties of individuals.â
Reading:
Barbara Rowes, âIf the Media Didnât Get Marshall McLuhanâs Message in the â60s, Another Is on the Way,â People Magazine, Vol. 6, No. 12, September 20, 1976.
Products are becoming services.
Marshall McLuhan (May 8, 1967, age 55). For example …
âInstead of going out and buying a packaged book of which there have been five thousand copies printed, you will go to the telephone, describe your interests, your needs, your problems ⌠and they at once Xerox with the help of computers from libraries all over the world, all the latest material for you personally, not as something to be put out on a bookshelf. They send you the package as a direct personal service. This is where weâre heading under electronic conditions. Products increasingly are becoming services.â
Me (February, 2011, age 58). Sound familiar?
Cordially, Marshall and Me
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Reading:
Marshall McLuhan, âPredicting Communication via the Internet (1966),â interview with Robert Fulford, May 8, 1966, on CBCâs This Hour Has Seven Days in Understanding Me: Lectures and Interviews, 2003, p. 101.
Do kids read alone and silently for fun anymore?
Marshall McLuhan (1970, age 59). The book took us to silence.
In the Middle Ages, as is well known, there was no such thing as silent reading. It was only with the advent of the book that âsilent, solitary readingâ took hold.
Me (January, 2011, age 58). The electric age has opened our ears.
If books and silent reading go hand in hand is it any wonder that todayâs electronically-wired kids find silent reading a challenge?
Cordially, Marshall and Me
Reading:
Marshall McLuhan, Counterblast, 1970, p. 73.
Which came first the film or the book?
Marshall McLuhan (1964, age 52). The book of course
âEven the film industry regards all its greatest achievements as derived from novels.â
Me (November, 2010, age 58). Can you think of any film that inspired a great book?
McLuhan observes that the book and the film are closely related to one another. As evidence for this he points to great films being inspired by novels and the difficulty of imagining a film being based on a newspaper. Yet it is odd that the forces of inspiration seem to work in only one direction. It is easy to think of novels (and plays and even comic books and video games) that inspired great (ok may be not great, but not completely schlock) films, but hard to think of any film that inspired a great (or even reasonably good) book and none outside the realm of fantasy and science fiction. No disrespect to Alan Dean Foster, but heâs no Charlotte Bronte.
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 286.
The power of film.
Marshall McLuhan (1964, age 52). You go where it goes.
âIt was Renee Clair who pointed out that if two or three people were together on a stage, the dramatist must ceaselessly motivate or explain their being there at all. But the film audience, like the book reader, accepts mere sequence as rational. Whatever the camera turns to, the audience accepts. We are transported to another world.â
Me (October, 2010, age 58). Which is hard to believe.
But for all that may in fact be true. Stranger things can happen:
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 286.
Do you want to be immortal?
Me (October, 2010, age 58). More on the power of print.
Yet another of the powers of print according to Marshall McLuhan is that it granted us the power of immortality. Granted, you cannot live forever. But you can put you into a book and that version of you could live forever. Or can it? How long will any of the things made by man survive? Many today behave as if social media and possibly other technologies will give us immortality too. Are they wrong so to do?
Marshall McLuhan (1964, age 52). Of course âŚ
âPsychically, the visual extension and amplification of the individual by print had many effects. Perhaps as striking as any other is the one mentioned by Mr. E.H. Forster, who when discussing some Renaissance types, suggested that âThe printing press, then only a century old, had been mistaken for an engine of immortality, and men had hastened to commit to it deeds and passions for the benefit of future ages.â People began to act as though immortality were inherent in the magic repeatability and extensions of print.â
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 175.
The power of print is greater than you think!
Me (October, 2010, age 58). The curious case of the death of the book.
Of all Marshall McLuhanâs prophecies perhaps the most controversial in his time, and ours, was the death of the book. And he was not shy about who he mentioned it to. Most famously, in a speech to publishers in New York City in the sixties, the story goes, McLuhan decided to let his audience in on the news that they wouldnât be around in the future, at least not in the business of publishing hard-cover books. Afterwards, the audience was so impressed by his talk one of the publishers offered him a book deal for â you guessed it â Understanding Media. Yet it is often forgotten that McLuhan also believed that the powers created by the book would long outlive their creator, which is not as good a story, but may in fact be more likely to be true. And perhaps there is for this reason less need to run for cultural cover as the internet continues to play havoc with newspapers, magazines, and of course the poor old book.
Marshall McLuhan (1964, age 52). The book may be dead but not the book bred!
âThose who panic now about the threat of the newer media and about the revolution we are forging, vaster in scope than that of Gutenberg, are obviously lacking in cool visual detachment and gratitude for that most potent gift bestowed by on Western man by literacy and typography: his power to act without reaction or involvement. It is this kind of specialization by dissociation that has created Western power and efficiency. Without this dissociation of action from feeling and emotion people are hampered and hesitant. Print taught men to say, âDamn the torpedoes. Full steam ahead!â
As illustrated, for example, here:
Cordially, Marshall and Me
Reading
Marshall McLuhan, Understanding Media, 1964, p. 178.
