A tribute to and a lament for Marshall McLuhan. Five days a week, Tuesday through Saturday, I present one of McLuhan’s observations and talk about its relevance today. 300 ideas. 300 days. 300 posts.
McLuhan in a box?
Marshall McLuhan (February, 1967, age 55). Undignified! Not professorial!
Quentin Fiore tells me that Aspen Magazine is wild about putting me in one of their boxes. I am the subject of their next issue, issue number 4, the McLuhan edition. Corinne will be amused. The graduate school – I am sure – will not. This will give the Profs at Toronto University a fit. I can hear them now. Pure Commercialism! Undignified! Not professorial! Well that’s their look out.
For each issue Aspen’s editors assemble a mix of recordings, posters, essays and whatnot playing on a particular theme. “Magazine” you know is a very interesting word. It means a storehouse, a cache, typically for explosives. This issue is undoubtedly going to result in fireworks. The last one was on Warhol. This one’s on me. Haven’t seen it yet, but I will. Perhaps next Sunday.
Me (February, 2010, age 57): A 1960s time capsule.
Aspen Magazine, the brain child of Phyllis Johnson, a former editor for Women’s Wear Daily and Advertising Age began publication in 1965 and ceased publication in 1971. U.S. Subscribers paid $12.95 a year for 4 quarterly issues and Canadians $14.95. For this somewhat princely sum (Look or Life, popular 26-issue-a-year magazines, at this time cost Americans $5.00 a year and Canadians $5.50) the subscribers received a multi-media, extravaganza of visual, oral, and tactile delights. For us, viewing it today it is both a 1960s time capsule and time machine.
The McLuhan edition which arrived at the subscriber’s door in the spring of 1967 in a hinged box (9-½ by 12-½ by ¾ inches) decorated with an electronic circuit board and containing:
- Poster displaying pages from The Medium is the Massage
- Poster of photo taken at “the tribal stomp at San Francisco’s Avalon Ballroom”
- Excerpts from interviews, essays, and a diary, written by Grace Glueck, Ed Ward, Dropper Ishmael, and John Cage
- Essay: “the Electronics of Music,” by Faubion Bowers and Daniel Kunin
- Phonograph Record: “A recorded Sampler of Electronic Music:” side A – Mario Davidovsky; side B – Gordon Mumma
- Recording: a description of a nature trail for the blind by Bob Lewis and Alfred Etter
- Excepts: “Psycles” – from The Bikeriders a book by Danny Lyon about the Chicago Outlaws motorcycle club. Includes a “meditation on motorcycling by Bob Chamberlain.”
- Advertisements: A magenta folder (8- ? by 11-¾ inches, with white wraparound text) containing pamphlets, posters, forms and sheets promoting among other things Remy Martin, Gordon’s, the Sierra Club, Something Else Press, United Airlines and MGB autos.
Is there a market for something like Aspen Magazine today? How much do you think such a magazine would cost today? (In today’s money – adjusting for inflation – an American annual subscription of $12.95 would be worth $68.83, and a Canadian subscription of $14.95 would be worth $79.46 – amazing value for money) Do you know of any library, centre, or museum that has a copy of the Aspen McLuhan edition?
Cordially, Marshall and Me
Tags: Advertising, Art, Communications, Culture, Medium is the message, Understanding media
Permalink 1950s and 60s, Communication, Culture 3 Comments
Thanks to the Canadian Centre for Architecture [www.cca.qc.ca] here in Montreal. Last week’s Curator’s Talk: The UbuWeb Archive [www.ubu.com] with the UbuWeb founder Kenneth Goldsmith was where we first heard about Aspen Magazine and subsequently discovered the McLuhan connection. Yes all roads really do lead to Marshall. Just ask Michael [and me]…
This is an interesting quarterly; collectively, a sort of time capsule of the art of our time:
http://www.thethingquarterly.com/
Also see UBU web for a great online archive of Aspen
http://www.ubu.com/aspen/intro.html